Echoes of the Studio
In rehearsal, Dionne Figgins is exacting. She has an eagle eye as she runs choreography in short sections, making sure each detail is accounted for.
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World-class review of ballet and dance.
Northern Ballet's critically-acclaimed adaptation of “The Great Gatsby,” now in its tenth year, is back on May 16th at Sadler's Wells. With superb choreography from David Nixon CBE, audiences are sure to be dazzled by their highly visual, pulse-raising production, which promises to go deep into the scandals, decadence, wild parties and heart-rending tragedies. Above all, the piece will explore the huge moral ambiguity at the heart of the classic Jazz Age drama.
Dominique Larose as Daisy and Javier Torres as Gatsby in “The Great Gatsby.” Photograph by Emma Kauldhar
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In rehearsal, Dionne Figgins is exacting. She has an eagle eye as she runs choreography in short sections, making sure each detail is accounted for.
FREE ARTICLEWhere do you go when you’re at the theatre? Are you looking for escape or confrontation? Do you want to weep for the world or tap your toe? In their latest tour to London for A Festival of Korean Dance, Korea National Contemporary Dance Company straddles somewhere in the middle.
Continua a leggereAround the corner from the crowds, billboards, Bubba Gump Shrimp and the Hard Rock Cafe, one can now find a decidedly more refined respite in the midst of midtown Manhattan.
Continua a leggereSan Francisco Ballet delivers one of the most intense home seasons in the dance world, a scheduling crucible that artistic director Tamara Rojo, in her four years of leadership, has tried to change without success.
Continua a leggere
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