The Australian Ballet’s latest revival of “Romeo & Juliet” is the beloved John Cranko interpretation. From the vivid opening scene, the audience is immersed in colourful streets of Verona, filled with youthful exuberance and impatient energy. As a trio of saucy Harlots, Precious Adams, Mia Heathcote, and Yuumi Yamada capture the lively spirit of the marketplace. Adams, in particular, is a standout. Her magnetic presence and remarkable talent add fresh dynamism to the company. With Sergei Prokofiev’s sumptuous score ringing out, the first act sets the tone for the tragedy to unfold. 

Act Two’s highlight, the love scene between Juliet and Romeo, blossoms with a delightful mix of curiosity and joy. Shakespeare’s Juliet, just 13 years old, is a now somewhat tricky role, balancing naivety with the depth and intensity of emotion. Carroll navigates it with tender expression, while bringing her own technical prowess and artistry. Joseph Caley as Romeo was a perfect partner—confident, relaxed yet clearly joyous in his role. His technical ability is so sound, it’s endlessly comforting to watch. The masquerade ball is another highlight; a flashy display of power and wealth, sprinkled with the cheekiness of Romeo, and his two best men, Mercutio and Benvolio, played to perfection by Marcus Morelli and Cameron Holmes.