Dance Floor Liberation
Los Angeles–based dance artist Jay Carlon knew that the proscenium stage couldn’t house his 2024 work, “Wake,” in its fullness. So he moved it elsewhere: to a rave.
Continua a leggereWorld-class review of ballet and dance.
For the first time in six years an international choreographer has created a work on Sydney Dance Company. Spanish superstar Marina Mascarell’s “The Shell, A Ghost, The Host and The Lyrebird” is one of three works being performed at the Sydney Opera House as part of the company's triple bill, “Ascent.” The night brings together three wildly different works, three sublimely different choreographers, and two world premieres.
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Sydney Dance Company in “The Shell, A Ghost, The Host & The Lyrebird” by Marina Mascarell. Photograph by Pedro Greig
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Los Angeles–based dance artist Jay Carlon knew that the proscenium stage couldn’t house his 2024 work, “Wake,” in its fullness. So he moved it elsewhere: to a rave.
Continua a leggereChoreography wasn’t on Lia Cirio’s radar when artistic director Mikko Nissinen asked her to participate in Boston Ballet’s ChoreograpHER initiative in 2018. The principal dancer had always thought, “Oh, that's not something for me. I just like being in the room and helping people and being choreographed on.” But her good friend and colleague at the time, Kathleen Breen Combes, gave her a nudge.
Continua a leggereIngrid Silva’s expression is calm, the side of her mouth upturned a few degrees, as if she’s delighting in the reception of her own joke.
Continua a leggereFrench choreographer Lea Tirabasso makes dense, intricate work which explores existential concerns connected with science, nature and morality. Witty, vivid and visceral, her work pushes beyond simple genres or choreographic language, creating something far richer and more complex. Her most recent piece, “In the Bushes” is part of the Edinburgh Festival this year. Fjord Review caught up with Léa Tirabasso ahead of the Summerhall run.
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