People, Land, and Spirit
“Sheltering,” Bangarra Dance Theatre’s new triple bill, having opened in Canberra on Ngunnawal Country, is on its national tour.
Continua a leggere
World-class review of ballet and dance.
Having just experienced the unboundedness of smoke that blew in from Canada’s wildfires to blanket the Midwest and the East Coast, I pondered “Extinction Rituals,” a dance-opera developed by the Brooklyn-based multidisciplinary duo Ximena Garnica, originally from Colombia, and Shige Moriya, from Japan. Engulfed in yellow haze, New York City had registered the worst air quality on record. Events were cancelled and people were advised to remain indoors. The notion of extinction and its rituals took on an alarming urgency. Our interdependence with the environment had never felt more real.
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“Sheltering,” Bangarra Dance Theatre’s new triple bill, having opened in Canberra on Ngunnawal Country, is on its national tour.
Continua a leggereWelcomed back to Los Angeles for the first time in 22 years (but who’s counting!), New York City Ballet made a triumphant return to the Dorothy Chandler Pavilion in two separate programs.
Continua a leggereLike picnicking in Central Park, catching the ferry to the Rockaways, or heading to Citifield for a Mets game, American Ballet Theatre’s “Swan Lake” is a well-established summer tradition for countless New Yorkers.
Continua a leggerePointeworks is the new kid on the block in San Diego’s thriving dance scene. Founded by Sophie Williams, a dancer with Texas Ballet Theatre and a San Diego native who grew up training in Solana Beach, the company says it seeks to provide off-season work for dancers and highlight female choreographers.
Continua a leggere
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