Talent Time
It’s “Nutcracker” season at San Francisco Ballet—36 performances packed into three weeks—which means that the company is currently serving two distinct audiences.
Continua a leggere
World-class review of ballet and dance.
Having just experienced the unboundedness of smoke that blew in from Canada’s wildfires to blanket the Midwest and the East Coast, I pondered “Extinction Rituals,” a dance-opera developed by the Brooklyn-based multidisciplinary duo Ximena Garnica, originally from Colombia, and Shige Moriya, from Japan. Engulfed in yellow haze, New York City had registered the worst air quality on record. Events were cancelled and people were advised to remain indoors. The notion of extinction and its rituals took on an alarming urgency. Our interdependence with the environment had never felt more real.
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It’s “Nutcracker” season at San Francisco Ballet—36 performances packed into three weeks—which means that the company is currently serving two distinct audiences.
Continua a leggereLast week I caught up with choreographer Pam Tanowitz and Opera Philadelphia’s current general director and president, countertenor Anthony Roth Costanzo to talk about “The Seasons,” the company’s latest production premiering at the Kimmel Center’s 600-plus seat Perelman Theater on December 19.
Continua a leggereIf Notre-Dame remains one of the enduring symbols of Paris, standing at the city’s heart in all its beauty, much of the credit belongs to Victor Hugo.
Continua a leggereWhen dancer and choreographer Marla Phelan was a kid, she wanted to be an astronaut. “I always loved science and astronomy,” Phelan said.
Continua a leggere
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