Having just experienced the unboundedness of smoke that blew in from Canada’s wildfires to blanket the Midwest and the East Coast, I pondered “Extinction Rituals,” a dance-opera developed by the Brooklyn-based multidisciplinary duo Ximena Garnica, originally from Colombia, and Shige Moriya, from Japan. Engulfed in yellow haze, New York City had registered the worst air quality on record. Events were cancelled and people were advised to remain indoors. The notion of extinction and its rituals took on an alarming urgency. Our interdependence with the environment had never felt more real.
Performance
Place
Words



subscribe to continue reading
Unlimited access to 1000+ articles
- Weekly writing that inspires and provokes thought
- Understanding the artform on a deeper level
- Unlimited article access
Already a paid subscriber? Login
Featured
Teenage Angst and Institutions
Watching Matthew Bourne's reworked version of the “star-cross'd lovers,” I was briefly reminded of Veronica, played by Winona Ryder, in the dark 1988 comedy by Daniel Waters and Michael Lehmann, Heathers,...
Continua a leggereSparkles, Scraps and Spandex
Overheard after the curtain drop on “Theme and Variations,” the opener of English National Ballet’s latest mixed bill: “Well, it was very Balanchine!”
Continua a leggere
comments