In commissioning “She Said,” a triple bill featuring three new ballets by female choreographers, English National Ballet’s artistic director and lead principal dancer Tamara Rojo has challenged the status quo of contemporary ballet in two major ways. The first is a rebuke of its notoriously, dispiritingly male-dominated upper ranks (consider this: in her 20 years as a professional dancer Rojo, one of today’s most famous and decorated ballerinas, has never performed in a ballet choreographed by a woman). “We need those female voices on stage, those emotions,” Rojo notes in the programme. “We need all ways of expressing feeling.” Her words echo those of the creative feminists world-round who contend that no art form can truly represent our rich, complex world if it shuts out half of the voices in it.
Tamara Rojo and dancers of English National Ballet in “Broken Wings” by Annabelle Lopez Ochoa. Photograph by Laurent Liotardo
When a choreographer takes on volcanic and iconic works from American musical giants like Leonard Bernstein and John Adams one move they could take is to cool them down with a couple of more soothing European works in between.Continua a leggere