Lifted Spirits
Even at his most straightforward, Paul Taylor often imbued his dances with a sardonic wit. Whether invoking darkness or light, he did so with a wink.
Continua a leggereWorld-class review of ballet and dance.
What is freedom? And how do you keep working to reclaim freedom with fresh energy and joy? Former Dance Theatre of Harlem dancer and now curator and advocate Theresa Ruth Howard prefers to work from conversation-stirring inquiries rather than dead-end statements. All the same, in the middle of the Kennedy Center’s “Pathways to Performance: Exercises in Reframing the Narrative,” Kiyon Ross’s new ballet “Quick Pleasure” shone like a resounding answer to this project’s key questions.
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Even at his most straightforward, Paul Taylor often imbued his dances with a sardonic wit. Whether invoking darkness or light, he did so with a wink.
Continua a leggereTalk about Gesamtkunstwerk! Jawole Willa Jo Zollar’s “SCAT!...The Complex Lives of Al & Dot, Dot & Al Zollar,” is just that—a total work of art: operatic in scale, replete with stellar musicians and singers, and the glorious dancers of Urban Bush Women, the troupe that Zollar founded in 1984, is also storytelling at its best.
Continua a leggereOf all of Shakespeare’s plays, “Hamlet” might seem the hardest to adapt into dance. Its long soliloquies and a titular character stymied by indecision do not immediately scream movement potential.
Continua a leggereComplexions Contemporary Ballet turned 30 this year, and their two-week residency at the Joyce Theater was a party.
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