Ultimate Release
Perhaps not since Mikhail Fokine’s 1905 iconic “The Dying Swan” has there been as haunting a solo dance depiction of avian death as Aakash Odedra Company’s “Songs of the Bulbul” (2024).
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Born in St. Tropez, Lucy Elliott grew up in the south of France where she started dance classes at four years of age. By age 7, she knew wanted to dance professionally. She trained in Cannes, Paris Opera Ballet School, and Canada’s National Ballet School. Last September she went the European Ballet School in Amsterdam, before joining the Paris Opera Ballet in January of this year, and before the lockdown, she was preparing to dance in George Balanchine’s iconic ballet, “Serenade.”
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Who is on your pre-show/warm-up playlist?
I normally do my warmup routine play some music that I love. My pre-show playlist includes Anderson Paak, Kanye West, Beyonce, Daniel Caesar … Once I’ve warmed up I go on stage, I go through the choreography, remembering the last changes and notes …
Describe your preparation for “Serenade”
When I discovered I was going to be part of “Serenade” I felt extremely lucky. Balanchine’s choreography is so beautiful and touching. My favourite part is the opening scene, it has such a strong female energy. I’m an understudy so I have to learn every spot of the corps ballet, so it’s pretty challenging but I feel so privileged to be part of this ballet and to [eventually] be performing it on stage of the Opera Bastille with Paris Opera Ballet!
What’s the greatest challenge of being a dancer?
To always improve and grow, you can always be a better version of yourself.
If you weren’t a dancer, you’d be …
I’ve never really thought about it but I would love to pursue a career around the ballet world or the fashion world.
Words of advice to your teenage self:
To not overthink, and be confident.
How do you recharge?
For me recharge is all about self care, from the littlest things such as taking a warm bath to fuelling my body with healthy goods.
Stage or rehearsal?
Both! I love working in the studio, learning new pieces and being inspired by other dancers around me, however nothing feels better than performing on stage.
Which choreographer would you most like to work with?
Definitely William Forsythe, Crystal Pite, Davis Dawson and and more . . .
Favourite place you’ve danced/performed?
Dancing at the Palais Garnier has always felt like magic since I joined Paris Opera Ballet school.
Dream role!!!
There are so many! But I would love to work on the role of Giselle as it's my favourite ballet.
Featured
Weighty Issues
Dance, at its best, captures nuance particularly well, allowing us to feel deeply and purely. In its wordlessness, it places a primal reliance on movement and embodied knowledge as communication all its own. It can speak directly from the body to the heart, bypassing the brain’s drive to “make sense of.”
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Modern Figures
“Racines”—meaning roots—stands as the counterbalance to “Giselle,” the two ballets opening the Paris Opera Ballet’s season this year.
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Giselle Status
“Giselle” is a ballet cut in two: day and night, the earth of peasants and vine workers set against the pale netherworld of the Wilis, spirits of young women betrayed in love. Between these two realms opens a tragic dramatic fracture—the spectacular and disheartening death of Giselle.
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