Creative Risk
If the ballet world now seems inundated with Dracula productions, Frankenstein adaptations are a rarer sight.
Continua a leggereWorld-class review of ballet and dance.
What would the story of Alice in Wonderland look like if it was reimagined by a group of women? In international dance collective Nefer Global Movement’s version, “Remember”—which they presented during their debut at Jacob’s Pillow Dance Festival on August 3, 2023—the classic tale keeps its signature color, whimsy, and imagination, but uses the caterpillar’s frustratingly existential question, “Who are you?” to explore themes of individual identity and collective growth.
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If the ballet world now seems inundated with Dracula productions, Frankenstein adaptations are a rarer sight.
Continua a leggereIt’s amusing to read in Pacific Northwest Ballet’s generally exceptional program notes that George Balanchine choreographed the triptych we now know as “Jewels” because he visited Van Cleef & Arpels and was struck by inspiration. I mean, perhaps visiting the jeweler did further tickle his imagination, but—PR stunt, anyone?
Continua a leggereAs I watch one after another pastel tutu clad ballerina bourrée into the arms of a white-tighted danseur, a melody not credited on the program floats through my brain. You know the one.
Continua a leggereMisty Copeland’s upcoming retirement from American Ballet Theatre—where she made history as the first Black female principal dancer and subsequently shot to fame in the ballet world and beyond—means many things.
Continua a leggere
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