We All Fall Down
To fell a tree, after determining the fall path, you need to make a notch in the side of the trunk with your chainsaw.
FREE ARTICLEWorld-class review of ballet and dance.
In Sankai Juku's “Kōsa,” bodies don't just speak, they echo. Movement is generated on dancers then released into the air. It spirals and grows as clouds of white powder radiate off each dancer's painted skin. In butoh custom, the powder is part of the dance, a distinguishing characteristic which acts as an expressionist tool as well as an allusion to the horrific atomic bombings of Hiroshima and Nagasaki at the end of World War II. (Japanese butoh or “dance of darkness” emerged in response to the Second World War and the atomic bombs, in particular).
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To fell a tree, after determining the fall path, you need to make a notch in the side of the trunk with your chainsaw.
FREE ARTICLEParis Opera Ballet presented an all-Robbins program at the Garnier from October 24 to November 10: “En Sol,” “In the Night,” and “The Concert,” all works Jerome Robbins made for New York City Ballet.
Continua a leggereThis week at the Joyce, the Van Cleef & Arpels Dance Reflections Festival presented its starriest program yet: “Dancing with Glass: The Piano Etudes.”
Continua a leggereWatching George Balanchine’s “The Nutcracker” the other night at New York City Ballet, I was struck, once again, by the sense of balance it both portrays and embodies.
Continua a leggere
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