Child's Play
Co. Un Yamada, a dance company and creative collective established in Tokyo in 2002, returned to the New National Theatre Tokyo last week to reprise their popular family-friendly production from 2021, “Obachetta.”
Continua a leggereWorld-class review of ballet and dance.
This is historical,” Ballet22 co-founder Theresa Knudson told the audience between works on the company’s latest program, “Momentum.” It may seem a big claim for a small company, but as the young people like to say these days, she’s not wrong. Launched in 2020, Oakland-based Ballet22 is the only company in the world with a mission to present men and non-binary dancers en pointe, not as a drag joke (as in Les Ballets Trockadero), but in earnest. And it’s doing so at a time when the rights of transgender and non-binary people are under unprecedented political attack in the United States. As “Momentum” co-artistic director Lorris Eichinger added in his plea for support, “It’s really bad out there.”
Performance
Place
Words
Co. Un Yamada, a dance company and creative collective established in Tokyo in 2002, returned to the New National Theatre Tokyo last week to reprise their popular family-friendly production from 2021, “Obachetta.”
Continua a leggereVous les voyez, les étoiles dans la salle?” the woman next to me whispered as the lights dimmed. And indeed, the stalls glittered with former stars of the Paris Opéra Ballet— dancers I recognised, visibly moved and deep in conversation during the interval.
Continua a leggereThere is probably no more beloved ballet, by audiences and dancers alike, than “Romeo and Juliet.”
Continua a leggereIn 2017 Virginie Mécène reimagined the lost Martha Graham solo “Ekstatis.” A review from that Martha Graham Dance Company premiere ended with a strong vote of confidence from critic Gia Kourlas: “Ms. Mécène should keep going.”
Continua a leggere
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