Lost Time
The Biennale offered an intimate view of artistic creation, with pioneering choreographer Molissa Fenley among the artists featured in this year’s programme.
Continua a leggere
World-class review of ballet and dance.
It’s been 25 years since William Trevitt and Michael Nunn swapped the Royal Ballet for the contemporary scene, building an imaginative portfolio across the stage and screen in step with choreographers like Russell Maliphant, William Forsythe and Christopher Wheeldon. Somewhere along the way the Boyz became men. It’s no longer just the two of them, and hasn’t been for quite a while—around 2014 the pair ceded the spotlight to an all-male-presenting ensemble, the Talent—but the boyish charm that fuelled their backstage exploits at the Royal (captured on video with a Channel 4 broadcast ahead of their breakout show at the Roundhouse, “Pointless,” in 2000) persists. This anniversary bill leans into their cheeky boyband image at every turn, from the knowing title (“Still Pointless”) to the programme insert (a commercial poster of Trevitt and Nunn, taut and topless, circa early 2000s).
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The Biennale offered an intimate view of artistic creation, with pioneering choreographer Molissa Fenley among the artists featured in this year’s programme.
Continua a leggereI have seen Megan Fairchild dance three times. The first was semi-unintentional—soon after moving to New York in the fall of 2024, I got one of those $30 for 30+ Under tickets and sat in the orchestra level on stage right.
Continua a leggereFor the sixth year now, the BAAND has gotten back together at Lincoln Center. That is, the BAAND Dance Festival, the annual Chanel-sponsored program that unites five New York City dance companies: Ballet Hispánico, Alvin Ailey American Dance Theater, American Ballet Theatre, New York City Ballet, and Dance Theatre of Harlem.
Continua a leggereThere’s just something about the outdoor dance performances that summer brings. Movements take on additional urgency when rain threatens.
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