Wicked Moves with Christopher Scott
Elphaba (Cynthia Erivo) steps down the steps, rests her hat on the floor and takes in the Ozdust Ballroom in Wicked. She elevates her arm, bringing her bent wrist to her temple.
Continua a leggereWorld-class review of ballet and dance.
It isn’t as mainstream as the Opera Garnier’s season opening. Facing the Théâtre du Châtelet, the Théâtre de la Ville hosts a yearly festival as fall takes its toll on yellowish leaves of Haussmann boulevards. In spite of its great media coverage by contemporary dance enthusiasts and low pricing policy, Le Festival d’automne, is something of a well-kept secret. The 2016 edition is dedicated to Lucinda Childs’ postmodern vibes, featuring her famous piece, “Dance” the evening of the premiere. When first performed in 1979, “Dance” met with mixed reception. Later, it earned the status of ‘masterpiece’ and it’s rare to read a review where Lucinda Childs is not labelled as a genius choreographer, being a powerful dance mathematician. Now, “Dance” is back in the Childs-accustomed walls of Théâtre de la Ville, in a restaged version. The projections on the monochrome grid make the dancers move along with ghostly figures, as if emerging from the past. Sadly, Lucinda Childs' emblematic aura vanished, altering the uncanny dialogue which Sol LeWitt's original film used to trigger. And what's a masterpiece without the shadow of its creator?
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Lucinda Childs' “Dance.” Photograph by Sally Cohn
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Elphaba (Cynthia Erivo) steps down the steps, rests her hat on the floor and takes in the Ozdust Ballroom in Wicked. She elevates her arm, bringing her bent wrist to her temple.
Continua a leggereThe Sarasota Ballet does not do a “Nutcracker”—they leave that to their associate school. Instead, over the weekend, the company offered a triple bill of which just one ballet, Frederick Ashton’s winter-themed “Les Patineurs,” nodded at the season.
Continua a leggereI couldn’t stop thinking about hockey at the New York City Ballet’s “Nutcracker” this year, and not only because the stage appeared to be made of ice: there were a slew of spectacular falls one night I attended.
Continua a leggereLast week, during the first Fjord Review Dance Critics’ Festival, Mindy Aloff discussed and read from an Edwin Denby essay during “The Critic’s Process” panel.
Continua a leggere
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