Piece by Piece
Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.
Continua a leggereWorld-class review of ballet and dance.
In one corner of the black-box stage, three musicians adjust their instruments: drums, double bass, clarinet. As each performer enters barefoot, they set down a pair of sneakers with toes lined against the back wall. A dark-haired woman in white stands centerstage in front of a projected film image of the open sea. I can hear the water lapping as if I’m aboard a boat. The film plays over the woman’s face and dress, making her seem an apparition. Another woman—who could be her double—enters, also dressed in white. As the show begins, the first woman picks up a violin and begins to play as she walks off to join the musicians.
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Like two cicadas advancing, springing instep with each other, Tra Mi Dinh and Rachel Coulson manifest from the shadows of the deep stage of the new Union Theatre.
Continua a leggere“I can’t even stand it,” exclaimed Tina Finkelman Berkett about the Perenchio Foundation grant that her dance troupe, BodyTraffic, recently received.
Continua a leggereBeneath a tree also over a century old is where I meet dancer and artist Eileen Kramer, and where the 60-minute loop will end. And it feels fitting, on the heels of her recent death on November 15, 2024, at 110-years-of-age, to start here, at effectively the end of Sue Healey’s screening of On View: Icons.
FREE ARTICLEHubbard Street Dance Chicago’s Fall Series will entertain you. Deftly curated, with choreographers ranging from Aszure Barton to Bob Fosse, Hubbard’s dancers ably morph through this riveting programme of showmanship.
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