Director's Cut
Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
Continua a leggereWorld-class review of ballet and dance.
How often have you sat in a dance piece that felt too long? Lewis Major’s “Triptych” successfully rises to the challenge of creating an evening of dance, without overstretching an idea into boredom. We are treated to two of Major’s works and a short introductory work from Major’s mentor, Russell Maliphant. This allows the themes of the works to bounce against each other, similar to walking into a gallery and studying the different assembled works.
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Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
Continua a leggereThe Trisha Brown Dance Company embarks on a national tour this June celebrating the centennial of avant-garde American visual artist Robert Rauschenberg.
Continua a leggereFor Ballet Hispánico’s upcoming season at New York City Center from May 29-June 1, the company will present Gustavo Ramírez Sansano's “Carmen.maquia,” a contemporary take on the timeless story at the heart of George Bizet’s unforgettable opera “Carmen.”
Continua a leggereAngelina Laguna kneels on the sidewalk and places her body perpendicular to the flow of the First Avenue foot traffic.
Continua a leggere
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