Director's Cut
Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
Continua a leggereWorld-class review of ballet and dance.
I’d nearly forgotten the many pleasures of watching dance from a folding chair on a riser in a SoHo loft, sound of sirens and traffic rising from the street outside to compete with the more subtle notes of a cello. Such was the occasion of Catherine Tharin Dance at the Douglas Dunn Studio, November 3, as a crowd of friends and collaborators gathered to witness four recent solos and duets by Tharin plus two films, and work of guest choreographer, Esmé Julien Boyce, who is currently artist in residence at Baryshnikov Arts Center. The space was abuzz with mini reunions and new friendships in progress before the house lights dimmed.
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Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
Continua a leggereThe Trisha Brown Dance Company embarks on a national tour this June celebrating the centennial of avant-garde American visual artist Robert Rauschenberg.
Continua a leggereFor Ballet Hispánico’s upcoming season at New York City Center from May 29-June 1, the company will present Gustavo Ramírez Sansano's “Carmen.maquia,” a contemporary take on the timeless story at the heart of George Bizet’s unforgettable opera “Carmen.”
Continua a leggereAngelina Laguna kneels on the sidewalk and places her body perpendicular to the flow of the First Avenue foot traffic.
Continua a leggere
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