Pretty Woman
“La Dame aux camélias” conveys the pain of the tragic love story between the celebrated, generous and doomed courtesan Marguerite Gautier and the passionate, idealistic and tormented Armand Duval.
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The Flamenco Festival has been bringing Spain's greatest flamenco artists to New York City Center for twenty years. This year's two-week run saw the National Ballet of Spain, Premio Nacional de Danza winner Olga Pericet in her intimate solo piece, “La Leona,” and Gala Flamenca, highlighting dance talents Manuel Liñán, Alfonso Losa, El Yiyo, and Paula Comitre, accompanied by vocalist Sandra Carrasco. Steven Pisano photographed the festival for Fjord Review.
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Child's Play
Fittingly, I caught Kaori Ito’s charming production “An Upside Down World” on Children’s Day, a national holiday in Japan.
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Ode to Joy
Joy is the goal of Parsons Dance. That is immediately apparent from the opening of the program for its New York season at the Joyce Theater: “Ludwig,” a brand-new David Parsons original, features all nine company dancers, smiling and dressed in varying shades of sunset oranges and yellows, moving vigorously to the second movement of Beethoven’s ninth symphony.
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Haunted House
Cathy Weis’ SoHo loft is haunted. This is not because of the skeleton that dangles on the wall, or the iron hand that floats ominously above the piano. 537 Broadway—or Weis Acres, as the multi-media artist Weis dubs it—is enchanted by spirits of artists and eccentrics past.
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