Lifted Spirits
Even at his most straightforward, Paul Taylor often imbued his dances with a sardonic wit. Whether invoking darkness or light, he did so with a wink.
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Ballets don’t come much sweeter than “The Sleeping Beauty.” The Petipa classic is a sparkling confection of sequins and tulle, its three acts fizzing with dulcet duets and variations. Kenneth MacMillan’s 1987 version, staged here by English National Ballet, cuts through some of the fluff but is honeyed all the same, with plenty of sugary frolics swirled in. And the cherry on top? A guest turn from former Bolshoi Ballet prima Maria Alexandrova, whose perky expressiveness and top-notch technique impress mightily.
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English National Ballet in Kenneth MacMillan's “The Sleeping Beauty.” Photograph by Laurent Liotardo
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Even at his most straightforward, Paul Taylor often imbued his dances with a sardonic wit. Whether invoking darkness or light, he did so with a wink.
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