Child's Play
Co. Un Yamada, a dance company and creative collective established in Tokyo in 2002, returned to the New National Theatre Tokyo last week to reprise their popular family-friendly production from 2021, “Obachetta.”
Continua a leggereWorld-class review of ballet and dance.
When viewing a work by Pam Tanowitz, it pays to look closely. Beyond the precision and fleet feet of her Cunningham-trained dancers, there is often another layer to discover. She refers to pre-existing works of art and literature (recently T. S. Eliot’s “Four Quartets” and the biblical Song of Solomon) using movement to reveal and remix their elements. For those who prize an intellectual exercise, Tanowitz is Olympic Gold. So it’s a surprise that her premiere for the Little Island inaugural summer performance series asks us simply to gaze at the surface. In “Day for Night,” the looking is everything.
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Co. Un Yamada, a dance company and creative collective established in Tokyo in 2002, returned to the New National Theatre Tokyo last week to reprise their popular family-friendly production from 2021, “Obachetta.”
Continua a leggereVous les voyez, les étoiles dans la salle?” the woman next to me whispered as the lights dimmed. And indeed, the stalls glittered with former stars of the Paris Opéra Ballet— dancers I recognised, visibly moved and deep in conversation during the interval.
Continua a leggereThere is probably no more beloved ballet, by audiences and dancers alike, than “Romeo and Juliet.”
Continua a leggereIn 2017 Virginie Mécène reimagined the lost Martha Graham solo “Ekstatis.” A review from that Martha Graham Dance Company premiere ended with a strong vote of confidence from critic Gia Kourlas: “Ms. Mécène should keep going.”
Continua a leggere
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