Portraits of a Lady
Martha Graham is the Georgia O’Keefe of dance. No matter what the source material, the primary subject of her works is womanhood.
Continua a leggereWorld-class review of ballet and dance.
When viewing a work by Pam Tanowitz, it pays to look closely. Beyond the precision and fleet feet of her Cunningham-trained dancers, there is often another layer to discover. She refers to pre-existing works of art and literature (recently T. S. Eliot’s “Four Quartets” and the biblical Song of Solomon) using movement to reveal and remix their elements. For those who prize an intellectual exercise, Tanowitz is Olympic Gold. So it’s a surprise that her premiere for the Little Island inaugural summer performance series asks us simply to gaze at the surface. In “Day for Night,” the looking is everything.
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Martha Graham is the Georgia O’Keefe of dance. No matter what the source material, the primary subject of her works is womanhood.
Continua a leggerePetite in stature, with beautiful, delicate features, Scottish dance artist Suzi Cunningham is nonetheless a powerhouse performer: an endless shape shifter whose work ranges from eerie to strange, to poignant, or just absolutely hilarious.
Continua a leggereWith his peerless vocabulary of postmodern abstract moves—or, as he’s called it, “gumbo style,” which blends Black dance with classical ballet techniques—Kyle Abraham, a 2013 MacArthur Genius grant awardee, has been making thought-provoking works for decades.
Continua a leggereCan art save civilization? The question matters deeply to Brenda Way, who has dedicated her life to the arts in San Francisco.
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