Director's Cut
Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
Continua a leggereWorld-class review of ballet and dance.
Think Sankai Juku on steroids, or a sort of fractured Sufism where spinning does rule, but in the über-darkness of night. Add to that mix the human version of inflatable, undulating air dancers—those tube-like creatures that bob and weave in front of Southern California car dealerships—and one might just be describing Nacera Belaza’s “L’Onde (The Wave).”
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Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
Continua a leggereThe Trisha Brown Dance Company embarks on a national tour this June celebrating the centennial of avant-garde American visual artist Robert Rauschenberg.
Continua a leggereFor Ballet Hispánico’s upcoming season at New York City Center from May 29-June 1, the company will present Gustavo Ramírez Sansano's “Carmen.maquia,” a contemporary take on the timeless story at the heart of George Bizet’s unforgettable opera “Carmen.”
Continua a leggereAngelina Laguna kneels on the sidewalk and places her body perpendicular to the flow of the First Avenue foot traffic.
Continua a leggere
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