Modern Dance Hold’em
Lassoing is a surprising through-line for a Martha Graham Dance Company performance. The theme steps generally tend towards the child-birthing variety: contractions and deep squats.
Continua a leggereWorld-class review of ballet and dance.
Overall it must be questioned whether ballet is the right medium for a biographical tribute. Ballet by the limits of its nature is only able to give a broad brushstroke, a stylized impression of what a person stood for. Details of historical context, complex personal stories and exploration of inner drive fall by the wayside; all questions you seek in a biographical treatment remain opaque. In “Frame by Frame” a new ballet for the National Ballet of Canada directed by Robert LePage and choreographed Guillaume Côté, ballet was interspersed with film and overlaid with interactive effects by Ex Machina, yet it remained a fragmentary picture of their subject, Norman McLaren.
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Harrison James and Heather Ogden in “Frame by Frame.” Photograph by Karolina Kuras
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Lassoing is a surprising through-line for a Martha Graham Dance Company performance. The theme steps generally tend towards the child-birthing variety: contractions and deep squats.
Continua a leggereAs a dance viewer, it’s easy to get swept up in the grand movements in a piece, glossing over the finer details.
Continua a leggereHubbard Street Dance Chicago was in New York for a two-week run March 12–24 at the Joyce Theater, a venue that consistently programs excellent smaller dance companies in its 472-seat theater.
Continua a leggereThe legendary Cuban dancer Carlos Acosta trained relentlessly to come out of retirement last year for a performance of classical works in celebration of his 50th birthday at the Royal Ballet, where he spent most of his professional career.
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