Questo sito non supporta completamente il tuo browser. Ti consigliamo di utilizzare Edge, Chrome, Safari o Firefox.

Dance Guide

[wcs-schedule id=2]

Elisa Badenes and Friedemann Vogel in “Mayerling” by Kenneth MacMillan. Photograph credit: Stuttgart Ballet

subscribe to the latest in dance


“Uncommonly intelligent, substantial coverage.”

  • Weekly articles from the world of dance
  • Wide diversity of reviews, interviews, articles & more
  • Support for quality art journalism

Already a paid subscriber? Login

[wcs-schedule id=1]


comments

Featured

Common Language
INTERVIEWS | Candice Thompson

Common Language

Pre-pandemic, queerness and ballet were two terms not often put together. So, when choreographer Adriana Pierce started bringing a community of queer-identifying people together on Zoom—cis women, trans people of all genders, and nonbinary dancers—it felt like a watershed moment for many of them. 

Continua a leggere
Living Doll
REVIEWS | Rachel Howard

Living Doll

Watching Pacific Northwest Ballet’s “Coppélia,” which the Seattle company generously released as a digital stream for distant fans, you could easily fall down two historically rewarding rabbit holes.

Continua a leggere
Hammer Time
REVIEWS | Gracia Haby

Hammer Time

There was a series of warnings that led up to the moment it all fell apart, but no-one listened. Everything appeared to follow a linear trajectory, an illuminated, diagonal path that led straight to the suspended glass orb at the foot of the stage. 

Continua a leggere
A Fourth Jewel
REVIEWS | Victoria Looseleaf

A Fourth Jewel

If, as George Balanchine once so famously pronounced, “Ballet is woman,” then director and choreographer Lincoln Jones showed off the gals in his troupe, American Contemporary Ballet (ACB), to great effect in his world premiere, “Sapphires.”

Continua a leggere
Good Subscription Agency