Lifted Spirits
Even at his most straightforward, Paul Taylor often imbued his dances with a sardonic wit. Whether invoking darkness or light, he did so with a wink.
Continua a leggereWorld-class review of ballet and dance.
Ever since Thomas Edison hand-tinted the swirling skirts of modern dance pioneer Loïe Fuller in the film version of the 1905, Danse Serpentine, there’s been an interest in capturing this most ethereal art form on celluloid. Flash forward, then, to 2024 and the 22nd iteration of Dance Camera West (DCW), the annual festival dedicated to the intersection of cinematography and choreography.
Founded in 2002 by Lynette Kessler and Kelly Hargraves, with Hargraves, after leaving for a few years in 2009, again helming DCW since 2018—but solo—this year’s festival takes place January 25 through January 28 at Barnsdall Art Park’s Gallery Theatre in Hollywood, a Unesco Heritage site. (Past festivals partnered with other prominent L.A. venues, including the Music Center, the Hammer Museum and BroadStage.)
Even at his most straightforward, Paul Taylor often imbued his dances with a sardonic wit. Whether invoking darkness or light, he did so with a wink.
Continua a leggereTalk about Gesamtkunstwerk! Jawole Willa Jo Zollar’s “SCAT!...The Complex Lives of Al & Dot, Dot & Al Zollar,” is just that—a total work of art: operatic in scale, replete with stellar musicians and singers, and the glorious dancers of Urban Bush Women, the troupe that Zollar founded in 1984, is also storytelling at its best.
Continua a leggereOf all of Shakespeare’s plays, “Hamlet” might seem the hardest to adapt into dance. Its long soliloquies and a titular character stymied by indecision do not immediately scream movement potential.
Continua a leggereComplexions Contemporary Ballet turned 30 this year, and their two-week residency at the Joyce Theater was a party.
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