What does dance and the car of the future have in common? In a warehouse of the former Toronto Star printing press, restyled as the Lighthouse Immersive Artspace at the city’s waterfront, the world premiere “Touch” from Côté Danse and Montreal multimedia artist Thomas Payette turns the technology of self-driving vehicles into a vehicle for an experiential multimedia dance installation.
“Touch” by Côté Danse. Photograph by Dahlia Katz
One way to get to know the history of a company is through the “liner notes” of its “Swan Lake” production, and for those of us continuing to build an admiring familiarity with Pacific Northwest Ballet via its digital season offerings, Kent Stowell and Francia Russell’s “Swan Lake” provides an interesting glimpse into PNB prior to Peter Boal’s leadership.FREE ARTICLE