Sweet Fields
According to artistic director Peter Boal’s welcome letter for Pacific Northwest Ballet’s fifth season program, the most popular mixed rep slates at PNB feature works by Crystal Pite or Twyla Tharp.
Continua a leggereWorld-class review of ballet and dance.
In 1924, Captain John Noel, with the aid of his hand-cranked camera (and steel nerves, I wager) captured footage of George Mallory and Andrew Irvine’s infamous attempt to climb Everest in all its beauty and brutality. The footage, recently restored by the British Film Institute National Archive in The Epic of Everest: The official record of Mallory and Irvine’s 1924 expedition (with a score composed, orchestrated and conducted by Simon Fisher Turner), saddles a backpack to the shoulder of the viewer even by today’s standards, and leaves me in little doubt as to the majesty of such an environment. Alongside the earliest film records of Tibetan life, the harsh landscape presented is one part awe-inspiring beauty to one part endurance test, and it is this punishing survival element that links an expedition with Chloe Chignell and Timothy Walsh’s new work “Post Phase: The Summit is Blue.” The landscape traversed in both film and dance is one that covers vulnerability and exhaustion, against a backcloth of extreme conditions.
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Still from The Epic of Everest: The official record of Mallory and Irvine’s 1924 expedition, film by Captain John Noel, 1924
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According to artistic director Peter Boal’s welcome letter for Pacific Northwest Ballet’s fifth season program, the most popular mixed rep slates at PNB feature works by Crystal Pite or Twyla Tharp.
Continua a leggereLassoing is a surprising through-line for a Martha Graham Dance Company performance. The theme steps generally tend towards the child-birthing variety: contractions and deep squats.
Continua a leggereAs a dance viewer, it’s easy to get swept up in the grand movements in a piece, glossing over the finer details.
Continua a leggereHubbard Street Dance Chicago was in New York for a two-week run March 12–24 at the Joyce Theater, a venue that consistently programs excellent smaller dance companies in its 472-seat theater.
Continua a leggere
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