Wicked Moves with Christopher Scott
Elphaba (Cynthia Erivo) steps down the steps, rests her hat on the floor and takes in the Ozdust Ballroom in Wicked. She elevates her arm, bringing her bent wrist to her temple.
Continua a leggereWorld-class review of ballet and dance.
There is an ineffable poignancy, a sense of subtle melancholy even, to this immersive and moving piece, “Bodies of Water” created by Saffy Setohy, Aya Kobayashi, Nicolette Macleod and Joanna Young for family audiences. It is dancers Setohy and Young who perform, and invite the audience into a quiet, dark but cosy space for interaction and dance. Tables are festooned with little clay pots created across Scottish communities over the course of a year. As pairs, we too are invited (with eyes closed) to create little makeshift pots of clay, something to contain water.
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Saffy Setohy in “Bodies of Water.” Photograph by Julia Bauer
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Elphaba (Cynthia Erivo) steps down the steps, rests her hat on the floor and takes in the Ozdust Ballroom in Wicked. She elevates her arm, bringing her bent wrist to her temple.
Continua a leggereThe Sarasota Ballet does not do a “Nutcracker”—they leave that to their associate school. Instead, over the weekend, the company offered a triple bill of which just one ballet, Frederick Ashton’s winter-themed “Les Patineurs,” nodded at the season.
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Continua a leggere
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