Director's Cut
Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
Continua a leggereWorld-class review of ballet and dance.
This fall, Bjayini Satpathy has returned to New York to present what she has been developing in her home studio just outside of Bangalore in India. Satpathy, a consummate artist of the Odissi form of classical Indian dance, is renowned for her 25 years as a leading dancer and director of training for the Nrityagram Dance Ensemble. But now she is forging a new chapter. In 2018 at age 46, Satpathy left Nrityagram impelled by the desire to explore her potential─both as a soloist and as a choreographer. She began the laborious and often lonely effort of planting her own garden of creation.
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Yellow caution tape dangles from the doorway to the Jerome Robbins Theater and ropes off every row of seats.
Continua a leggereThe Trisha Brown Dance Company embarks on a national tour this June celebrating the centennial of avant-garde American visual artist Robert Rauschenberg.
Continua a leggereFor Ballet Hispánico’s upcoming season at New York City Center from May 29-June 1, the company will present Gustavo Ramírez Sansano's “Carmen.maquia,” a contemporary take on the timeless story at the heart of George Bizet’s unforgettable opera “Carmen.”
Continua a leggereAngelina Laguna kneels on the sidewalk and places her body perpendicular to the flow of the First Avenue foot traffic.
Continua a leggere
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