To Sir Frederick Ashton’s fast footwork and musicality belongs the Australian Ballet’s double bill “The Dream” and “Marguerite & Armand.” To the charming misadventure distillation of Shakespeare’s A Midsummer Night’s Dream bubbles “The Dream.” To the legend of Margot Fonteyn and Rudolf Nureyev, dovetails Amy Harris’s Marguerite, in Harris’s last stage role before her retirement. After 22-years with the company, Harris bids farewell in a delicious camellia-bloom, echoing Marguerite’s own departure (thankfully for altogether different reasons; Harris is retiring from the stage, whereas her character Marguerite is dying of tuberculous).FREE ARTICLE
Head down, an old man shuffles with the assistance of a wheeled walking frame past the ghostly blue façade of a building. Unbeknownst to him, his dog is tangled in his own lead and is being dragged on his back through the grey streets. In the background, a traditional jazz band plays.
Alice Dixon, Caroline Meaden and William McBride’s, “This is What’s Happening.” Photograph courtesy of Caroline Meaden
When a choreographer takes on volcanic and iconic works from American musical giants like Leonard Bernstein and John Adams one move they could take is to cool them down with a couple of more soothing European works in between.Continua a leggere