La Vanguardista
There’s few artists you can truly label as iconoclastic within any discipline, let alone dance, but when discussing Rocio Molina few other labels seem to fit the bill.
Continua a leggere
World-class review of ballet and dance.
Many will know Ethan Watts as a dancer with the National Ballet of Canada, but few may know he is a keen photographer. Watts joined us on the set of our upcoming video for Fjord Review #2 at the invitation of Karolina Kuras, to capture the action and ambience of the shoot. Watts photographs exclusively with film. His pictures show not only a trained dancer's eye, but a clear instinct for catching the moment.
Ethan Watts. Photograph by Karolina Kuras for Skylar Campbell Dance Collective
“Uncommonly intelligent, substantial coverage.”
Your weekly source for world-class dance reviews, interviews, articles, and more.
Already a paid subscriber? Login
There’s few artists you can truly label as iconoclastic within any discipline, let alone dance, but when discussing Rocio Molina few other labels seem to fit the bill.
Continua a leggereThe void will appear soon, we are told, to invite us into an hour-long escape. The pre-show announcement is more poetic than prescriptive: “We are not islands scattered in a melancholy dark sea,” the voice of god adds, and shortly thereafter, the curtain rises on BalletCollective’s latest work, “Translation,” choreographed by founder Troy Schumacher.
Continua a leggereA dancer’s lineage can tell you a lot. The places they’ve trained, the mentors they’ve had, the repertoire they’ve inscribed into their long-term memory all have an impact on the ways that they move, attack a set of steps, strategize a quick petit allegro or a dreamy adagio. So, too, is this true for choreographers.
Continua a leggere“So Are We,” from Sol León and Paul Lightfoot—former spouses who share a long-running creative career—is something of a full-circle event.
Continua a leggere
comments