New Voices from Japan + East Asia
Japan Society presented its 20th showcase of contemporary dance with works from emerging choreographers in East Asia over a mid-January weekend.
Continua a leggereWorld-class review of ballet and dance.
The heat was turned up to habanero-strength at the famed Hollywood Bowl on Thursday, when a pair of Mexican national treasures made their debuts: Grammy award-winning conductor Carlos Miguel Prieto led the always superb Los Angeles Philharmonic (the Bowl is the ensemble’s summer home), in a program that, in addition to featuring a trio of orchestral works, accompanied the legendary Ballet Folklórico de México de Amalia Hernández, as the company danced its way into the corazóns (hearts) of Angelenos.
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Japan Society presented its 20th showcase of contemporary dance with works from emerging choreographers in East Asia over a mid-January weekend.
Continua a leggereIn a four-day span of early January I saw: Monica Bill Barnes wrestle a giant beach ball at Playwrights Horizons; Malcolm-x Betts and Nile Harris shoot blanks into the rafters of the Chocolate Factory in honor of Judith Jamison’s spirit; Symara Sarai run in and out of a swirling lasso at New York Live Arts Studios; and Angie Pittman dart across a shallow stage, in character as a vampire, cape flying, at BAM Fisher Hillman Studio in a shared bill with Kyle Marshall Choreography. In short, it was APAP season.*
Continua a leggereSara Veale’s new book Wild Grace: The Untamed Women of Modern Dance (Faber & Faber) examines the lives of nine boldly subversive dancemakers over nearly a century, starting with Isadora Duncan and ending with Pearl Lang. Along the way, it provides a pared but potent mini-history on the emergence of women’s rights.
Continua a leggereNo matter the theme, an evening with David Dorfman Dance is likely to uplift. The gregarious choreographer has a habit of engaging with the audience pre and/or post show with energy approaching that of a church revival gathering.
Continua a leggere
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