When the inclination is to create, as the award-winning choreographer Amy Seiwert says, “the most brilliant thing that anyone’s ever seen,” what happens when you’re given permission to be less than perfect? This is one question the Michael Smuin protégée who went on to direct the Sacramento Ballet for two seasons is asking with her innovative series, Sketch. For the project’s twelfth iteration, Seiwert invited Natasha Adorlee, formerly of ODC/Dance and Robert Moses’ Kin; and rising star, Joshua L. Peugh, founder of Dark Circles Contemporary Dance, to join her with a group of eight stellar dance artists to create new works that explore themes of nostalgia while participating in a creative feedback process. Showing the work to a public audience is part of the deal. The resulting three world premieres were on display as “Sketch 12: Dear Diary,” complete with sometimes raw edges, at San Francisco’s Cowell Theater.
Amy Seiwert Imagery in “Tides” by Amy Seiwert. Photograph by David DeSilva
The son of a painter and a set designer, director/choreographer Jean-Christophe Maillot was, it seems, destined to have a life in the theater. Born and raised in Tours, in central France, in 1960, he studied dance and piano at the Conservatoire Nacional de Région de Tours before joining the Rosella Hightower International School of Dance in Cannes.Continua a leggere
One would think that a dance inspired by the events of the January 6 insurrection—yes, a dance!—would not be the ideal stuff of theater, but the eight members of Laurie Sefton Creates (formerly Clairobscur Dance Company), succeeded in giving life to Sefton’s premiere “Herd. Person?”, while the dance, itself, was occasionally problematic.Continua a leggere