Fighting Spirit
There’s a distinct warrior theme to the evening shared by Angie Pittman and Kyle Marshall, though the two choreographers are working in very different styles and tone.
Continua a leggereWorld-class review of ballet and dance.
Superlatives seem useless when making reference to Pina Bausch and her vast legacy. Words seem reductive. How to define the woman who was a genuine game changer in pushing the boundaries of dance theatre, whose iconoclastic approach sometimes left audiences—and some of her dancers alike—punch-drunk, and in tears? She often experienced walkouts, heckling, disgust from stunned crowds. She was once berated by The New Yorker critic Arlene Croce for deploying, as she saw it, the “pornography of pain,” and exploiting the women. Croce even found some of the work “misogynistic.” Harsh and a little myopic perhaps, but indeed, Bausch didn't shy away from depicting violence, sexual or otherwise, within her repertoire. Degradation, rape and humiliation were common themes for her.
Performance
Place
Words
“Uncommonly intelligent, substantial coverage.”
Your weekly source for world-class dance reviews, interviews, articles, and more.
Already a paid subscriber? Login
There’s a distinct warrior theme to the evening shared by Angie Pittman and Kyle Marshall, though the two choreographers are working in very different styles and tone.
Continua a leggereIt’s not often these days that aspiring dancers and smaller companies can enjoy the luxury of state-of-the-art facilities to develop their practice and put on a show, especially in a capital city.
Continua a leggereToday I have the privilege of speaking with the divine Juliet Doherty. Juliet was born in Albuquerque, New Mexico, which is slightly more Breaking Bad than “Swan Lake,” but Juliet's grandparents owned a ballet studio which passed to Juliet's mother, and so the artistic genes ran deep.
FREE ARTICLEOne of the gems of New York City’s dance landscape is the Graham Studio Series, a programming cycle that offers behind-the-scenes interaction with the work of the Graham Company in their studio space. In early January, the series presented a Graham Deconstructed event exploring Martha Graham’s modernist masterwork “Cave of the Heart.”
Continua a leggere
comments