The Mahabharata: A Timeless Retelling
Why Not Theatre’s bold, multidisciplinary adaptation of the Mahabharata drew a rapt audience at Lincoln Center’s vibrant summer arts festival “Summer for the City.”
Continua a leggereWorld-class review of ballet and dance.
“Carmen” has been in the air this year. Especially at the Kimmel Cultural Campus. Almost as a prelude to the Philadelphia Ballet’s “Carmen,” the Philadelphia Orchestra presented choreographer Brian Sanders’ aerial play on Rodion Shchedrin’s 1967 “Carmen Suite” (created for his wife, the Bolshoi’s Maya Plisetskaya) last March at Verizon Hall. Sanders’ version, with life-sized dueling bulls dangling over the orchestra as Yannick Nézet-Séguin conducted, was phenomenally daring and often comical. It all happened down the block from the venerated Academy of Music, also part of the campus where Ángel Corella unveiled his new full-length ballet, “Carmen.”
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Why Not Theatre’s bold, multidisciplinary adaptation of the Mahabharata drew a rapt audience at Lincoln Center’s vibrant summer arts festival “Summer for the City.”
Continua a leggereStephen Petronio has an odd way of celebrating his 40th anniversary. He and his board have decided this season will be the company’s last.
Continua a leggereWashington, D.C.’s 100° June weather wasn’t the only thing generating heat in the city. Chamber Dance Project’s 11th annual D.C. summer season production, “Red Angels,” produced its own scorching intensity as one of this summer’s early triumphs.
Continua a leggereA ballet body is essentially a deformed body. The older and more experienced the dancer, the more evident–and beautiful–this deformation is.
Continua a leggere
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