Big leaps, big smiles, big energy—Carlos Acosta’s new “Don Quixote” for Birmingham Royal Ballet does its darndest to capture the...
Dutch sibling duo and NDT alumni Imre and Marne van Opstal’s “Eye Candy” was first presented to audiences as a...
Time is of the essence at the Royal Opera House this spring. It hazily drifts past in Kyle Abraham’s “The...
To watch Paul Michael Henry dance is to experience something that exists in a liminal space. He creates primordial work...
All hail the marching ensemble, a brigade of bouncing hips and outstretched arms, palms flexed and chins thrust to the...
How do dancers with disabilities navigate space? Who is defining space for disabled dancers? What are the objects that obstruct,...
