To watch Paul Michael Henry dance is to experience something that exists in a liminal space. He creates primordial work...
Time is of the essence at the Royal Opera House this spring. It hazily drifts past in Kyle Abraham’s “The...
Dutch sibling duo and NDT alumni Imre and Marne van Opstal’s “Eye Candy” was first presented to audiences as a...
How do dancers with disabilities navigate space? Who is defining space for disabled dancers? What are the objects that obstruct,...
All hail the marching ensemble, a brigade of bouncing hips and outstretched arms, palms flexed and chins thrust to the...
As we blink from the stupor of the near-hibernation of New Year and slowly come around to (supposedly) changing seasons,...
