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Pierrot Lunaire
Reviews

The Shock of the New

Gracia Haby
The history of art, music, ballet, opera, and literature is one dotted with the curious, bewildered, shocked receptions of the...
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Fjord Review
Features

Between the Dancer and the Dance

Apollinaire Scherr
I want to find dance’s “fundamental feature” as Roland Barthes, in his 1980 Camera Lucida, did for photography. I’ll begin,...
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Reviews

Pure Lust and Combat Fatigue

Lorna Irvine
On the surface, these two ballets could not be more contrasting. Yet, what thematically links them is the iconoclastic approach of both Sir Kenneth MacMillan's choreography (this production marks twenty five years of his passing) and the bold invention of Scottish Ballet's own Artistic Director Christopher Hampson—not to mention, of course, the “The Rite Of Spring's” notorious first Parisian performance in 1913, which caused riots.
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Bill T. Jones
Interviews

Meet the Maker

Victoria Looseleaf
The year was 1913; the city, Paris. The cause for commotion—indeed, a full-blown riot? Vaslav Nijinsky’s choreography for Sergei Diaghilev’s...
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Sasha Waltz
Reviews

Scandal Revisited

Sara Veale
“The Rite of Spring” is celebrated as much for its infamy as it is for its groundbreaking aesthetic and influence...
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Reviews

Rite, A Sequel

Rachel Stone
In May of 1913, the choreographer Vaslav Nijinsky premiered a ballet that culminated in a riot. The ballet, “The Rite...
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