Just a few beats after the curtain went down on English National Ballet’s roundly admired run of “Le Corsaire,” the...
Aaron Robison’s dancing has taken him around the world and back again. The former principal at San Francisco Ballet and...
Wings have long held a special significance in ballet. In “Swan Lake,” Odette’s feathery port de bras become a devastating...
English National Ballet has spent recent months fighting off rumours about its cohesion, or purported lack thereof, under Tamara Rojo’s...
The festive lights have been switched off and the Christmas trees kicked to the curb, but sparkle can still be found this side of the holidays in English National Ballet’s glittering “Swan Lake.”
English National Ballet has launched the New Year with two double bills anchored by August Bournonville’s beloved “La Sylphide.” Over the course of a two-week run, the Romantic staple—a flutter of forest sprites and lively Highlanders—is alternately paired with Kenneth Macmillan’s “Song of the Earth” and Roland Petit’s “Le Jeune Homme et la Mort,” both of which dedicate a principal role to Death.
