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Reviews

Another Fall Season

Faye Arthurs
Fall is here, and the New York City Ballet embarked upon a new season on Tuesday night. Business as usual—except... Read More
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Divergence

Rachel Stone
There’s a moment at the end of Balanchine’s “Divertimento from Le baiser de la fée” in which the two principal... Read More
The Fairy's Kiss
Reviews

A Blessing and a Curse

Oksana Khadarina
Alexei Ratmansky’s “The Fairy’s Kiss” is a captivating piece of dance storytelling, fusing genres of fairy tale, mystery, and romance to powerful effect. Set to Igor Stravinsky’s enchanting score and replete with gripping choreographic imagery, it’s a masterfully-crafted and thought-provoking ballet in which Ratmansky’s talent of making dance as a vital, immediate, and engrossing theatrical experience shines through and through. Read More
Germaine Acogny
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Chosen One

Victoria Looseleaf
At 74, Germaine Acogny, the Paris-based, Sénégalese matriarch of contemporary African dance, still has the power to astonish, making the... Read More
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Pure Lust and Combat Fatigue

Lorna Irvine
On the surface, these two ballets could not be more contrasting. Yet, what thematically links them is the iconoclastic approach of both Sir Kenneth MacMillan's choreography (this production marks twenty five years of his passing) and the bold invention of Scottish Ballet's own Artistic Director Christopher Hampson—not to mention, of course, the “The Rite Of Spring's” notorious first Parisian performance in 1913, which caused riots. Read More
Balanchine Jewels
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All that Glitters

Oksana Khadarina
George Balanchine’s “Jewels” will turn 50 next year. It was, and still is, a ballet like no other; a perfect... Read More
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Fjord Review #1

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Crystal Pite Seasons Canon

Enigmatic Ode to Nature

Dance Guide: March

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