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Ballet West in the Garden

Sophie Bress
There’s something about an outdoor venue that fills a performance with possibility, ease, and the right energy for change and...
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Dance FilmReviews

Open Doors and Detours

Lorna Irvine
The finest choreographers have not only a signature style, but walk their own creative paths—think Pina Bausch, Merce Cunningham, Crystal...
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A Dancer Nonpareil

Lorna Irvine
Born in Cherbourg, northern France, Sophie Martin is one of Scottish Ballet’s best-loved dancers and a real secret weapon, having...
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Dance FilmReviews

Festival Lights

Róisín O'Brien
Edinburgh is quiet. In August, the city normally swells with people jostling to get into theatres, pubs, shipping crates, beer...
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In Safe Hands

Lorna Irvine
Having retired as a dancer from Scottish Ballet in 2017, artist-in-residence choreographer Sophie Laplane always delights in anything she turns...
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Johan Greben
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Of Human Bondage

Lorna Irvine
It is no coincidence that the huge unruly piles of trainers and pumps littering the stage are mostly the Adidas brand, as Uri Ivgi and Johan Greben's new piece for Scottish Ballet casts an unblinking eye over exploitation, and such global brands have faced accusations in recent years of forced labour and poor working conditions, often involving young children.
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