The opening to George Balanchine’s “Serenade”—dancers standing feet parallel, right arm reaching up with the palm facing out as if...
There could be no more auspicious moment for Suzanne Farrell to mark the closure of her ballet company than December 2017.
With the New York City Ballet future of her former partner Peter Martins very much in doubt, Farrell sent her dancers out onstage at the Kennedy Center last week to perform works she and Martins had often danced together, works created by the man who cast her out of his company after she rebuffed his proposal.
David Bintley's “Carmina burana” has roots that go way beyond 1995, the year he took over as Birmingham Royal Ballet's artistic director and created this spectacle of a piece.
There was much to admire about the Washington Ballet’s program titled “Mixed Masters” which the company brought to the Kennedy...
“NYCB Classics II” program which the company performed during its spring season at David H. Koch Theater included four dances:...
Saturday, January 24, was a big day for New York City Ballet as they held their annual birthday celebration for George Balanchine, called “Saturday at the Ballet with George,” which concluded with an evening bill that featured three timeless works from the great ballet master—“Serenade,” “Agon,” and “Symphony in C.”
