Sarah Aiken
To my mind, following this train of thought, both Reckless Sleepers with Nat Cursio’s performance of “A String Section” (2012) and the premiere of Sarah Aiken’s “SET,” celebrate the utilitarian object, redefining its role and how we regard it.
“Meeting” revealed a pattern defined by sixty-four small-scale robots whilst “Overworld” writhed in a chaotic pattern of YouTube fragments tethered to the four elements, earth, air, fire, and water.
Keir Choreographic Award
To begin, it is all about numbers and the patterns they form. One inaugural award, the Keir Choreographic Award, dedicated to commissioning new choreographic work and fostering innovation in contemporary dance both nationally and internationally.
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