Anne Teresa De Keersmaeker’s take on Shakespeare’s As You Like It opens on a bare stage. Brian Eno’s “Golden Hours”...
There’s ample room for wavering quality within a mixed bill. A couple of solid pieces can easily compensate for a weak one, and it only takes one standout work to make audiences recall a programme favourably, provided its companions aren’t complete duds.
Upstage, the company stands in line. As the music builds, the whirring tones of Julia Wolfe’s score for eight double...
Think Medusa and you think snake-haired monster. But there’s a human side to the myth of the petrifying Gorgon: her...
The term ‘plateau effect’ describes the phenomenon of diminishing returns—that is, the reduced effectiveness over time of a once effective measure.
Michael Keegan-Dolan’s first production with his company Teaċ Daṁsa was a version of “Swan Lake” reworked into a critique of...
