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Anne Teresa De Keersmaeker / Rosas' “Golden Hours.” Photograph by Anne Van Aerschot
Reviews

Golden Hours

Rachel Elderkin
Anne Teresa De Keersmaeker’s take on Shakespeare’s As You Like It opens on a bare stage. Brian Eno’s “Golden Hours”...
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Nederlands Dans Theatre
Reviews

In pursuit of profundity

Sara Veale
There’s ample room for wavering quality within a mixed bill. A couple of solid pieces can easily compensate for a weak one, and it only takes one standout work to make audiences recall a programme favourably, provided its companions aren’t complete duds.
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Richard Alston Dance Company
Reviews

An Italian in Madrid

Rachel Elderkin
Upstage, the company stands in line. As the music builds, the whirring tones of Julia Wolfe’s score for eight double...
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Medusa
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Of Monsters and Men

Sara Veale
Think Medusa and you think snake-haired monster. But there’s a human side to the myth of the petrifying Gorgon: her...
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Cullberg Ballet
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Sensory Shock

Sara Veale
The term ‘plateau effect’ describes the phenomenon of diminishing returns—that is, the reduced effectiveness over time of a once effective measure.
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Teaċ Daṁsa in Michael Keegan-Dolan's “MÁM”
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Unmasked

Sara Veale
Michael Keegan-Dolan’s first production with his company Teaċ Daṁsa was a version of “Swan Lake” reworked into a critique of...
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Dada Masilo

Swan Lake and its Metaphors

Crystal Pite Seasons Canon

Enigmatic Ode to Nature

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Fjord Trending

The Perpetual Motion of Longing

Simone Forti: Fortissimo

Goodbye to All That

Off to the Races

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