Russell Maliphant’s latest mixed bill is an ode to the art of stage lighting and its uncanny power to charge a performance atmospherically.
Equal parts dystopian horror show and raucous romp, Matthew Bourne’s “Lord of the Flies” is a firecracker of a production.
The intricate music of London-based contemporary composer Thomas Adès unites the pieces, each of which features the musician conducting from the pit or tickling the ivories on stage.
There’s ample room for wavering quality within a mixed bill. A couple of solid pieces can easily compensate for a weak one, and it only takes one standout work to make audiences recall a programme favourably, provided its companions aren’t complete duds.
Jasmin Vardimon is the artistic director of Jasmin Vardimon Company, founded in 1997, and has been an associate artist at...
Instead of employing a straight narrative, this dance theatre piece tells its story through a series of interlacing vignettes, each one evocative, impassioned and quasi surreal.
