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Masurca Fogo
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A Language for Life

Sara Veale
Sambas, waterslides, live chickens on stage—nobody does dance theatre like Pina Bausch. The late choreographer’s Wuppertal-based company has just wrapped up a tour of “Masurca Fogo,” created during a three-week residency in Lisbon in 1998 as part of her World Cities series, a collection inspired by the cultures of various urban locales, from Rome to Budapest to Los Angeles.
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Alvin Ailey
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After the Rain

Rachel Elderkin
In a programme by Alvin Ailey American Dance Theater you can almost guarantee a performance of formidable athleticism from a...
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Dance FilmReviews

As Night Draws In

Lorna Irvine
Few choreographers made work which endures and resonates like the mighty Pina Bausch. She wasn’t just an iconoclastic presence, she...
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A Welcome Redress

Sara Veale
In the ballet world, female choreographers remain, unfortunately and infuriatingly, the exception rather than the norm. Ballet British Columbia artistic...
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Richard Alston Dance Company
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An Italian in Madrid

Rachel Elderkin
Upstage, the company stands in line. As the music builds, the whirring tones of Julia Wolfe’s score for eight double...
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Sidi Larbi Cherkaoui
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Breaking Point

Rachel Elderkin
The dancers and musicians gather on the stage, the chorus of their voices rising through the auditorium. There’s a Middle...
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Dada Masilo

Swan Lake and its Metaphors

Crystal Pite Seasons Canon

Enigmatic Ode to Nature

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The Perpetual Motion of Longing

Simone Forti: Fortissimo

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