For years Amar Ramasar was one of the most popular dancers at NYCB, admired for his joyful stage presence and...
There’s a moment at the end of Balanchine’s “Divertimento from Le baiser de la fée” in which the two principal...
There could be no more auspicious moment for Suzanne Farrell to mark the closure of her ballet company than December 2017.
With the New York City Ballet future of her former partner Peter Martins very much in doubt, Farrell sent her dancers out onstage at the Kennedy Center last week to perform works she and Martins had often danced together, works created by the man who cast her out of his company after she rebuffed his proposal.
The ink is barely dry on year-end top ten lists, yet the first months of the new year bring no...
George Balanchine created “Apollo” 90 years ago. Set to Igor Stravinsky’s score, this ballet—seminal and historic on many levels—signified a...
Remarkable in its size, range, and variety, New York City Ballet’s Here/Now festival presented ten separate programs. The first three were dedicated to works by Christopher Wheeldon, Alexei Ratmansky, and Justin Peck, one choreographer at a time, in the format usually used for the company’s luminaries, George Balanchine and Jerome Robbins.
