Come for the choreographers, stay for the dancers. A collaboration between Sadler’s Wells and BBC Arts, Dancing Nation presents a...
The details of the tragic demise of the Romanov family, the last Imperial dynasty of Russia—and what really happened on...
Celebrating the opening of its 96th season at the iconic Hollywood Bowl, the Los Angeles Philharmonic, under the baton of the esteemed Gustavo Dudamel—his eighth season as the orchestra’s music and artistic director—offered an uneven program of ballet and music, some thrilling, some head-scratching, all begging for more, however.
In the beginning of August, Marquee TV—a performing arts streaming platform—unveiled its inaugural “Summer Short Film Festival,” a curated selection...
The last programme Natalia Osipova commissioned at Sadler’s Wells was tenacious but shaky, the Royal Ballet superstar storming the stage...
The final programme of the Royal Ballet’s Spring/Summer season sees the company perform a mixed bill of work by their founder choreographer, Frederick Ashton. Including two of his narrative works, one comic (“The Dream”) and one tragic (“Marguerite and Armand”), as well as the first piece he created for the Royal Opera House stage (“Symphonic Variations”), it’s a bill that pays homage to this admired choreographer. While there are times where the age of these works feels noticeable, the programme is, nonetheless, an enjoyable close to the season.
