No matter how many bells, whistles and special effects are deployed in a dance, if the choreography isn’t there, the exercise/event borders on being pointless. To wit: the two-act “Tesseract,” a collaboration between filmmaker Charles Atlas and choreographers Rashaun Mitchell and Silas Riener, who happen to be very good movers.
It isn’t as mainstream as the Opera Garnier’s season opening. Facing the Théâtre du Châtelet, the Théâtre de la Ville...
It’s been nearly 35 years since Steve Paxton, whom the New York Times once dubbed “a titan of the 1960s...
The last time New York-based dancer/choreographer/media artist Jonah Bokaer performed in Los Angeles, it was with Merce Cunningham Dance Company,...
“Hot time, summer in the city, back of my neck getting dirty and gritty.” Here’s to the steamy summer solstice...
In a short interview in the program for her company’s recent performances at the Joyce Theater, Pam Tanowitz speaks to...