The last edition of Cannes’ Festival de danse was a kind of mirror of the times. Biennial, it skipped last...
Merce Cunningham would have turned 100 in 2019, a centennial that’s seen institutions around the world flock to commemorate the...
He’s on impish form tonight, Richard Alston, and so should he be. This tour (possibly one of the company’s last)...
In the last three decades, the term Dance and Technology became a thing, a niche where choreographers strove to enhance...
On a recent fall afternoon, the choreographer Karole Armitage was rehearsing her troupe at the Mana Contemporary cultural center in...
No matter how many bells, whistles and special effects are deployed in a dance, if the choreography isn’t there, the exercise/event borders on being pointless. To wit: the two-act “Tesseract,” a collaboration between filmmaker Charles Atlas and choreographers Rashaun Mitchell and Silas Riener, who happen to be very good movers.
