With a Dancing Faun at the head and Farnese Hercules at the feet, I know I am in the right place.
In the foyer of the NGV, the gods and heroes of Greek and Roman mythology are draped across a 14-metre long Eternity Buddha. Greco-Roman, Renaissance and Neoclassical sculpture meets the High Tang Dynasty (705–781 CE); West meets East. An interflow of all the big things: life, death, nirvana. Right place, like I said.
“The gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would...
At the Kier Choreographic Award semi-finals my shoes cut loose. At the Kier Choreographic Award semi-finals, independent of me, that...
A stagehand dressed in black makes the most of their invisibility cloak to move props into position.
The great horned owl makes the most of their night vision to seek out their prey with efficiency. Swoop, snatch, gobble, gone.
Lucy Guerin is known for her left of field works, and “Split” is no different. The scene of the performance...
Sydney Dance Company celebrates its 50th anniversary this year with a program of three vibrant and divergent works. The celebratory...