Rambert are a formidable, ambitious company indeed. Who else could dance to soundtracks as diverse as Scanner, Arnold Schoenberg and South American pan pipes, all on the same bill?
In this work by Guerin, in which I see the film through the dancers’ own interpretations of the film they are watching—can I trust their reading/translation of the drama as it unfolds or will they double-cross me?
Five minutes late to the world premiere of Lucy Guerin’s “Make Your Own World” and I had to wait to...
The Bureau of Meteorology La Trobe St. Weather Station, near to the Carlton Gardens, has always intrigued me. A triangular wedge of fenced-off green, on the city’s fringe, it looks like an art installation or a performance space. With a tiny garden shed, and unfamiliar equipment to measure climatic changes and patterns neatly dotted and connected by pathways, it is not so unlike the world Chunky Move’s Anouk van Dijk and Singaporean artist and filmmaker, Ho Tzu Nyen, have set up for their collaborative work, “Anti-Gravity.”
This year sees the 400th anniversary of Shakespeare’s death, a cause for many in the arts to celebrate the great...
Arthur Janov, the recently deceased nonagenarian psychologist who developed primal scream therapy, would, no doubt, have felt right at home experiencing “Attractor,” a ritualistic, twerky-jerky rave directed and choreographed by Lucy Guerin and Gideon Obarzanek. Oh, and the unhinged neo-apocalyptic score, performed live by Indonesian duo, Senyawa (vocalist Rully Shabara and Wukir Suryadi on electrified “Bamboo Spear” and other instruments), was itself a gut-punching primal scream of, well, Mozartean proportions.
