The American sensibility has a lot to do with a sense of the space. This might be why theaters in the US started making their stages wider and more expansive than their European counterparts, as if trying to match the topography outside.
“New Combinations” was an apt way to describe the outstanding triple bill that featured “Pictures at an Exhibition” by Alexei Ratmansky, “‘Rōdē,ō: Four Dance Episodes” by Justin Peck, and “Mercurial Manoeuvres” by Christopher Wheeldon.
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